Ένα κείμενο για το steampunk που μου άρεσε, από το πρώτο τεύχος του ομότιτλου περιοδικού:
'Steampunk is a re-envisioning of the past with the hypertechnological perceptions of the present. Unfortunately, most so-called “steampunk” is simply dressedup, recreationary nostalgia: the stifling tea-rooms of Victorian imperialists and faded maps of colonial hubris. This kind of sepiatoned yesteryear is more appropriate for Disney and suburban grandparents than it is for a vibrant and viable philosophy or culture. First and foremost, steampunk is a non-luddite critique of technology. It rejects the ultra-hip dystopia of the cyberpunks—black rain and nihilistic posturing—while simultaneously forfeiting the “noble savage” fantasy of the pre-technological era.
It revels in the concrete reality of technology instead of the overanalytical abstractness of cybernetics. Steam technology is the difference between the nerd and the mad scientist; steampunk machines are real, breathing, coughing, struggling and rumbling parts of the world. They are not the airy intellectual fairies of algorithmic mathematics but the hulking manifestations of muscle and mind, the progeny of sweat, blood, tears and delusions. The technology of steampunk is natural; it moves, lives, ages and even dies. Steampunk, that mad scientist, refuses to be fenced in by the ever-growing cages of specialization. Leonardo DaVinci is the steampunker touchstone; a blurring of lines between engineering and art, rendering fashion and function mutually dependent. Authentic steampunk seeks to take the levers of technology from those technocrats who drain it of both its artistic and real qualities, who turn the living monsters of technology into the simpering servants of meaningless commodity.
We stand with the traitors of the past as we hatch impossible treasons against our present.'
Ολόκληρο το τεύχος είναι διαθέσιμο εδώ.